One of the counter-intuitive aspects of finishing a novel turns out to be the desperate struggle not to have any new ideas. Or only new ideas in the service of problem-solving.
Finishing is a closing-down, a limiting effort, bent on discarding, not on expanding.
Yet sometimes, to finish a scene or section, one can be helped by a new idea.
So here is an example of how the problem-solving aspect of finishing the novel interacts with the need for research and the presence of a fertile imagination. I have to write this scene where the eccentric actress who has disappeared for two weeks after a bizarre solo performance makes her reappearance in her home town. Telling it from inside the car she is riding in felt boring and claustrophobic. It seemed better to tell it from the viewpoint of all the reality TV crews and news crews perched in trees and apartment buildings watching the few roads by which her car could re-enter the town. But then what happened? I started thinking about what kind of symbol this town would come up with, what experience-brand object or theme would arise from the fertile collective consciousness of AmeriBrain, the marketing amygdala of the American OverPsyche, and I thought perhaps a burning Valentine, as her performance happened on Valentines Day and involved lighting a fire on stage, burning her clothes and many items from her past on stage, and then disappearing. I pictured suburban lawns with Flaming Valentines; I imagined young women imitating Lydia’s behavior, which had been reported in the press though no journalists had been allowed into the theater where her performance took place. Then I imagined young women imitating her act of defiance, having their own fashion bonfires. I saw a thousand points of light–piles of cheap, boring, overpriced women’s fashion burning on suburban lawns all across America. So I thought I ought to do a little Internet research on current fashion brands, just to get ideas and a little grounding. I read a BusinessInsider article about the top 10 fashion brands and was amazed to find that Zara was number 1! This novel is all about NumBer One (numb-er) … so I happened on an article about Zara written by … none other than our former colleague at Salon.com, Suzy Hansen. So that was interesting, that Zara does no advertising, that its strategy is to change its offerings so frequently, and price them so low, that if you see something there you have to buy it or it will be gone next week. So then I become interested in Suzy Hansen and what she has been up to and notice that she lives in Istanbul, which is interesting … and find she’s writing a book for FSG about observing America in decline from abroad. And so I thought I would send Suzy an email just to get in touch and ask how the election of Donald Trump might be affecting the publisher’s interest in a book about America’s decline … How Fascinating! How absorbing! How utterly Distracting!
So back to the novel. Now I have an idea. I didn’t really want an idea. I am trying to finish up, limit. But: I did need something vivid with which to make an emblem of Lydia’s return. Now I have this image of all these copy-cat clothes bonfires all across America. And then I think, OK, how to do that? I like news-item pieces and this seemed ideal: AP: A rash of house fires as young women imitate Lydia Favors by making bonfires of unwanted clothes and other items.
The finishing process is necessarily both subtractive and creative. But I have to limit my creative notions to those that actually solve problems. It might be tempting to follow this thread into a whole other subplot. That would be disastrous and might take me off schedule. That will be for another novel. For now, just something quick I can cook up to make her return to town more vivid. And funny. And maybe get Wolf Blitzer in there somehow. Because, to me, Wolf Blitzer is always funny, and seeing him ponder the phenomenon of women creating bonfires of their clothes and burning their houses down just seems amusing.
But fast, see. That’s the thing. I’m trying to get this done. It’s tricky, having new ideas. They must be contained; they must be harnessed to purpose; they can’t drag me off into whole new subplots. That’s my weakness. That’s why this novel has grown like a giant tumor on my laptop. Too many subplots.
OK, everybody, back to work!