Back in 2008, I had the good fortune to be introduced to Cary Tennis. I was trying to make sense of a novel length story I had been working on for two years. I was self-conscious and insecure about what I had produced, and those insecurities were all but squeezing the life out of my creativity. I didn’t believe I qualified as a writer, but a story came to me with such compelling force that I couldn’t not write it. Without having any grand plan for what I was doing, I followed the story that played out in my mind like a movie; I wrote down what I saw, what the characters were saying, and how they felt. The words just kept coming until I had the working draft that I gave to Cary for editorial assistance.
While he was reading my novel, he suggested that I acquaint myself with Pat Schneider and The Amherst Writers and Artist Method. As soon as I read Schneider’s “Five Essential Affirmations,” I knew Cary could be trusted with my writing. The Amherst Method’s philosophy affirms that all writers have a creative voice that cannot be silenced by social standing or academic status, and mentoring can be done without stifling the writer’s unique voice or creative inclinations. It boldly proclaims that if one writes, then that one is a writer! Hallelujah! The writer in me broke out in a happy dance. I didn’t have to somehow prove that I was worthy of the title; my thoughts on the printed page proved I was a writer.
With Cary’s trained eye, ear, and supportive input, I began to hear and validate my own creative impulses; I stopped doubting my right to say what I needed to say, and I was able to move forward and write the novel, Pearls My Mother Wore, to a satisfying conclusion. It was during the first Creative Getaway at Marconi Center that I was able to go off by myself and complete a critical chapter in the novel. The experience of writing by myself while among such a strong and supportive writing community and in such a relaxing and gorgeous setting was magical.
With assistance from Cary and Norma Tennis, I self-published Pearls My Mother Wore at the end of 2009. Once the manuscript was as polished as I could make it, I hired Norma to put a professional touch on the book’s layout. My husband and I designed the cover. I got to set the selling price and pick the publication date. It was such an all-around positive experience that I’m now working on a second book. This next one is a memoir about my absent father, a man I’ve never met or spoken to, how I found him, and how I let him go.